Pärt: "De profundis" for male choir, organ and percussion (on the 90th anniversary of the composer's birth); Tchaikovsky: "Symbol of Faith" (on the 185th anniversary of the composer's birth); Chesnokov: "May my prayer be corrected"; Golovanov: "Svete is quiet" (to the blessed memory of S.V. Rachmaninov); Sviridov: "The Strange Christmas of Videl"; Ekimov: "Oh, Holy One," a fragment of their choral concert "From the Akathist to the Holy Blessed Grand Duke Alexander Nevsky"; Schnittke: Three spiritual choirs for mixed voices (in memory of the composer); Artemyev: "Lullaby" for a women's choir; Taneyev: "Prayer," an excerpt from the cycle "12 a cappella choirs based on poems by Ya. Polonsky"; Shchedrin: "Lullaby"; Slonimsky: «The stubborn wind» ("I can't help but call you", "In the corner of the sofa", "December 31, 1900"); Smirnov: "The Lost World", fragments from a concert for reciter and mixed choir based on poems by A. Blok; Korolev: "We don't drink wine"; Gavrilin: "Evening Music"; Tanonov: "The Volga is the Eternal Power of Russia", a fragment from the cantata "The Tale of Kozma Minin and the City of Nizhny Novgorod"; Uspensky: "He was buried in the globe of the earth" (on the 95th anniversary of the composer's birth); Petrov: "Hallelujah", the finale of the symphony "The Time of Christ"

Sanz: Canarios; Scarlatti: Sonata in A major, K. 208 (performed on a lute guitar); Soler: Quintet No. 6 for harpsichord and strings (I part); Boccherini: Fandango from the Guitar Quintet No. 4; Albéniz: Suite Española No. 1 (Castillas, Asturias, Cádiz,.Sevilla); Tárrega: Capricho Arabe (performed on a romantic guitar); The Spanish Zarzuela

Sanz: Canarios; D. Scarlatti: Sonata for keyboard in A major (performed on lute guitar); Soler: Quintet No. 6 for harpsichord and strings (1st movement); Boccherini: Fandango from Quintet for guitar and string quartet No. 4; Albeniz: Castilla, Asturias, Cadiz and Seville from Suite Española No. 1; Tarrega: "Arabic capriccio" (performed on romantic guitar); Spanish zarzuelas

Saint-Sa¸ns