Born in Rome, Roberta Mameli graduated in singing and in violin at the Nicolini Conservatory in Piacenza, followed by master classes with Bernadette Manca di Nissa, Ugo Benelli, Konrad Richter, Claudio Desderi and Enzo Dara.

She is regularly invited to perform at the most important opera houses and venues: Konzerthaus and Theater an der Wien, Concertgebouw in Amsterdam, Cité de la Musique in Paris, Teatro Comunale in Bologna, Maggio Musicale Fiorentino and Teatro La Pergola in Florence, Auditorium of Lyon, Gran Teatre del Liceu in Barcelona, Teatro Regio in Turin, Victoria Hall in Geneva.

She collaborates with conductors such as Jordi Savall, Daniele Callegari, Christopher Hogwood, Diego Fasolis, Jeffrey Tate, Fabio Biondi, Claudio Abbado, Federico Maria Sardelli, and others.

Much in demand for Early Music repertoire, Roberta works with several ensembles on period instruments such as Complesso Barocco, Capella Cracoviensis, Accademia Bizantina, Le Concert des Nations, La Venexiana, Modo Antiquo, Europa Galante, Stuttgarter Kammerorchester, I Barocchisti, Cappella Mediterranea, L’Arte del Mondo.

One of the finest Monteverdi interpreters of her generation, she performs Nerone and Poppea in L’Incoronazione di Poppea, Minerva in Il Ritorno di Ulisse in patria, La Musica and Euridice in L’Orfeo. Roberta Mameli has appeared in numerous Baroque operas including Purcell’s Dido and Aeneas (Belinda) and Vivaldi’s Catone in Utica (Cesare); Handel’s Orlando (Angelica), Alcina (Morgana) and Serse (Atlanta). Among her Mozart roles are Vitellia, Dorabella, Susanna, Donna Elvira and Aminta.

Her discography contains L’Incoronazione di Poppea (Naïve), Il Ritorno d’Ulisse in patria by Monteverdi; Artemisia by Cavalli (Glossa); Il Diamante by Zelenka (Nibiru); La Scola de’ gelosi by Salieri (Sony DHM) and the following works by Vivaldi: Teuzzone, Orlando Furioso 1714 (Naïve), Il Farnace,  L’Incoronazione di Dario (Dynamic) and other music.

Recent and future projects include among others Mozart’s Re Pastore (Aminta) at La Fenice and La Clemenza di Tito (Vitellia) at the Teatro del Maggio Musicale Fiorentino; Handel’s Ariodante (Ginerva) at the Drottningholm Festival; Rameau’s Indes Galantes (Amour et Zaïre) in Geneva.

Participant of the festival in 2014.