Even while in the womb, Jenny was immersed by the sounds of the voices of her Mexican mother and Viennese father, as well as the music they loved. Dvorak and Chopin intermixed Mexican danzon and boleros. When Jenny was five years old, she was already asked, "How many languages do you speak?" The answer was obvious. "German, Spanish and the recorder."

While German and Spanish remained, musical fluency has only increased in diversity of instruments and skill. Shortly before her 10th birthday she discovered the violin to be her voice. Regina Brandstätter was to be her first teacher.

If music is to poetry, what the soul is to the body and they are senseless without each other, it was inevitable that her love for music and her love for poetry grew hand in hand.

At the University for Music in Vienna, Jenny eventually met her violin professor, Ernst Kovacic, a tireless explorer of musical worlds. He taught her fearlessness, respect for art, and lasting curiosity. She received artistic guidance from members of the Vienna Philharmonic, such as their concert master Volkhard Steude, iconic quartet members such as Gerhard Schulz, influential instructors such as Igor Ozim and explored the freedom of Baroque players and of contemporary music specialists.

Eventually she received her Masters degree with distinction, only to continue her journey through the wide fields of music. In the same year, out of her newfound freedom, the "Podium Festival Mödling" came to life, a chamber music festival that aims to tear down creative borders. Jenny proudly founded this unique musical platform together with friends and great musicians.

First and foremost, her heart is with Trio Klavis, in her mind a wondrous kaleidoscope of colors of sound and emotion.