Persons

Marek Janowski

Conductor

Biography

Born in Warsaw and educated in Germany, Marek Janowski’s artistic path led him from Assistant positions in Aachen, Cologne, Düsseldorf and Hamburg to his appointment as General Music Director in Freiburg im Breisgau (1973-75) and Dortmund (1975-79). Whilst in Dortmund, his reputation grew rapidly and he was invited to conduct in many of Europe’s leading opera houses. There is not one world-renowned opera house where he has not been a regular guest since the late 1970s, from the Metropolitan Opera New York to the Bayerischer Staatsoper Munich; from Chicago and San Francisco to Hamburg; from Vienna and Berlin to Paris.

Marek Janowski stepped back from the opera scene in the 1990s to concentrate on the great German symphonic repertoire. He now enjoys an outstanding reputation amongst the premier orchestras of Europe and North America and is recognised for his ability to create orchestras of international standing.

Between 1984 and 2000, as Musical Director of the Orchestre Philharmonique de Radio France, Marek Janowski took the orchestra to a position of pre-eminence in France, as well as abroad. From 1986 to 1990, in addition to his position in Paris, Janowski held the title of Chief Conductor of the Gürzenich-Orchester in Cologne and between 1997 and 1999, he was also First Guest Conductor of the Deutsche Symphonie-Orchester Berlin. From 2000 to 2005 Janowski served as Music Director of the Orchestre Philharmonique de Monte-Carlo, and from 2001 to 2003 he also held the position of Chief Conductor with the Dresdner Philharmonie. Marek Janowski has built a distinguished discography over the past 30 years, including several complete operas and symphonic cycles, many of which have been awarded international prizes. To this day, his recording of Richard Wagner’s complete tetralogy the Ring Cycle with the Staatskapelle Dresden (1980-83) remains one of the most notable and musically interesting recordings that has been made of this work. His Bruckner cycle with the Orchestre de la Suisse Romande, recorded for Pentatone has also been accorded high praise and of Bruckner Symphony No.3, Resmusica wrote, “After the extraordinary mixed delirium of the first movement, the inspired Marek Janowski presents a second movement full of colour. With a grand, magnificent string section, the German conductor offers music of overwhelming emotion. What intensity, what beauty and what magnificent clarity in the continuity of the musical discourse” (Jacques Schmitt).
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